Le Guin wrote in contemplating the cultural role of speculative fiction and the task of its writer, “is not to offer any specific hope of betterment but, by offering an imagined but persuasive alternative reality, to dislodge my mind, and so the reader’s mind, from the lazy, timorous habit of thinking that the way we live now is the only way people can live.” In doing so, she argued, imaginative storytelling can intercept the inertia of oppressive institutions, perilous social mores, and other stagnations of progress that contract our scope of the possible. The article, titled “The Power of Cautionary Questions: Neil Gaiman on Ray Bradbury’s ‘Fahrenheit 451,’ Why We Read, and How Speculative Storytelling Enlarges Our Humanity”, starts with this: Well, I wrote this week’s Monday musings on Australian dystopian fiction as a lead in to my review of Charlotte Wood’s award-winning The natural way of things, but I wasn’t expecting to get the perfect intro for my review! In the post’s comments, author and publisher Anna Blay pointed us to an article by Maria Popova in an online digest called Brain Pickings.
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